The article deals with Benedek Fliegauf?s Milky Way (Tejút, 2007), trying to establish the kinds of narrative structures and levels of this visual material, how far they determine its medial form, and what kinds of  perceptive-receptive mechanisms its cinema and installation medial form offer, namely, how it can function as a movie and as an installation. While the article focuses on the movie medial form, it does not want to undervalue the installation medial form; however, it remains an open question, what kind of aesthetic experience it brings.




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