Being a fan of central European?and especially Hungarian?film can a bit depressing at times. Deep, introspective works of the “miserablist” tendency are common and the comedies are often slight, derivative pieces that seem better suited to television than the big screen. György Pálfi’s Hukkle (2002), however, will come as a welcome breath of fresh air, being a fresh and original debut that combines humour, careful observation and innovation.
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